| In
the midst of heat waves and thunderstorms, a group of China
scholars gathered in Jones Hall at Princeton University
for the Ming Court Culture Conference. The conference
was held on June 12 and 13 under the auspices of Princeton
University and the Geiss Foundation.
Thanks to the
conference organizer, David Robinson's wisdom and organizational
skills, the conference was a success. The audience
was kept to a minimum, and all the participants were required
to read the papers before the conference. The two-day
intense, intimate, and in-depth discussion was rather productive.
There were eleven
papers and five discussants. The two-day program, including
the paper titles, the names of the paper presenters and
discussants, and other related activities is listed below.
Chu-hung Lam could not make it because of safety concerns
due to SARS. Willard Peterson was asked by Chu-hung
to speak on his behalf. The conference was also
graced by the presence of Margaret ,
Martin Heijdra, Wen Fong, Jerome Silbergeld, H.T Tang, Jan
Stewart, Marsha Weidner, Carry Liu, and Andrew Plaks, among
others.
Day One (June
12)
Morning session:
1. Rearing
the Imperial Family
-Julia Murray: Didactic Picturebooks at the Wanli
Court
-Ellen Soulliere: How to be a Woman: Imperially sponsored
Chinese texts of the14th to 16th centuries
-Discussant: Evelyn Rawski
2. Court
Images
-Scarlett Jang: The Ming Silijian and the Inner Court
Publishing Enterprise
-Dora Ching: Tibetan Buddhism and the Creation of
the Ming Imperial Image
-Discussant: Susan Naquin
Afternoon
session:
1. Music, Dance, and Ritual (1:15-3:00)
-Joseph Lam: Ming Emperors as Music Leaders and Followers
-Nicholas Standaert: Ritual Dances and Their Visual Representations
in Ming and Qing
-Discussant: Evelyn Rawski
2. Sampling
the Rare Book Collection of the Gest Library: Martin Heijdra
Evening:
Geiss Foundation Reception hosted by Margaret 
Day Two (June
13)
Morning session:
1. Intellectual Patronage and Relations with High Officials
-Chu-hung Lam: The Jiajing Emperor's Interactions with his
Lecturers
-Peter Dimansen: Shifting Moral Politics at the Hongwu Court
(1368-98)
-Discussant: Benjamin Elman
2. Military
and International Dimensions
-David Robinson: The Ming Imperial Family and the Yuan Legacy
-Kenneth Swope: Bestowing the Double-Edged Sword: Wanli
as Supreme Military Commander
-John Wills: Foreign Tributaries at the Ming Court
-Discussant: Thomas Nimick
Afternoon
session: Synthesis
Evening:
Geiss Foundation Dinner hosted by Margaret 
In addition
to specific questions and suggestions regarding each individual
paper, day one's discussion was dominated by a series of
questions concerning definitions of some critical terms.
These questions included, for instance, 1) What exactly
does the term "court culture" mean? 2) What
exactly does the term "Ming court" mean? Does
it imply a collection of people and who were they? To what
extent did they participate in or contribute to the formation
of the so-called "court culture"? 3) Does the
term "Ming court" imply also the physical locations of the
"imperial city (Huangcheng)" and the "Forbidden City (Zijincheng)"
4) Should the term "Ming court" also include the culture
of the court in Nanjing? 5) What is "inner court"
and what is "outer court"? 6) Were there coherent
clusters of overlapping subcultures in the "Ming court culture"?
7) How was the culture expressed? 8) How was
the culture extended beyond the court? 9) How
did the court culture change? 10) Should the
term "court culture" be defined by excluding those things
that do not happen in the imperial city Beijing?
Or does it refer to only those things that happened in the
Forbidden City?
Day two was
largely devoted to synthesis, further inquiries, and strategies
of getting the papers published together as a book.
While a clear-cut definition of the term "Ming court
culture" was not being established, many important
observations emerged out of the two-day in-depth discussion.
First, when considered as a whole, the papers clearly indicate
that Ming court culture is expressed through the matrix
of interactions among many different groups of people, the
emperor and those in his orbit, including his family members,
palace women, eunuchs, and court officials, etc.
It was also expressed through their activities, customs,
and attitudes, objects made by and for their consumption,
and so forth. Second, some papers also indicate
that the Ming court was not an isolated entity.
The Ming tributary system and military campaigns, and its
patronage of Tibetan Buddhism, for instance, indicate two-way
interactions between the court and the world outside.
Third, the participants all agreed that it was useful to
bring in people knowledgeable in Qing studies to the conference
and that the role the Yuan legacy played in Ming court culture
and Ming court culture's impact on the Qing could not be
under-estimated. While in many ways, the Qing
took the Ming as its model, the issue should also be seen
in light of what the Qing did not inherit from the Ming.
Finally, the participants also agreed that many issues which
should be, but were not included in the papers deserve close
attention, such as:
| 1. |
Modes
of interaction between the Ming court and outside
elements. Examples of interaction and relevant elements
include: a) Forces from outside, such
as palace women or eunuchs who came largely from families
of no consequence, memorials, gifts (paintings, books,
crafts), languages, and ghostwriters, etc.
b) Ways with which the imperial power was projected
from the imperial court to the outside world, using
such means as the distribution of records, imposed
censorship, military campaigns, the legal system,
rituals, and imperial processions, and symbols of
imperial authority (seals and gifts, etc.).
c) Patronage networks (of in-laws, bodyguards, officials,
imperial sons and daughters, religious groups, etc.). |
| 2. |
The impact of literati culture, especially during
the late Ming when literati culture changed profoundly
due to the boom of the printing industry |
| 3. |
More precise descriptions of the quality of the court
(customs, people, the individual tastes of the emperor
and the eunuchs, for instance, and what they chose
or did not choose from the rich repository of traditions) |
| 4. |
Material culture in the Ming court |
| 5. |
Human and geographic spectrum of power |
| 6. |
How
does the Ming fit into the larger historical picture?
What makes the Ming Ming? |
|